The G Word(s): The Gothic Genre

Two confessions. One: I’m one of those people who like to pigeonhole everything. Always have been. There are boxes all over my house, each one with its own specific contents. I section my books into fiction (ordered alphabetically) and reference (subdivided by subject). My iTunes library is organised fastidiously, using all the sort fields that my friends ignore. The second confession: I’m not a goth. But then if I was I wouldn’t admit to it. Anyway, what does gothic mean?

Gothic is everywhere

The gothic genre flitted into my periphery in my teens and, upon realising that it didn’t necessarily involve Satanism, death metal or noms de plume like ‘RavenRose’, I took a bit of a shine to it. I trawled the Wikipedia page on gothic rock and stuck a load on my iPod, before reading up on gothic architecture and poking around cathedrals. I even had a go at reading Walpole’s The Castle of Otranto on the internet – I didn’t get very far. It seemed to me that to be a goth, you had to listen to gothic music. Hang around gothic buildings reading gothic literature. Writing homework assignments in gothic typeface. I read that there were different categories of goths too – romantic goths, cyber goths, Victorian goths and gothabillies, and you could take online quizzes to find out which you were. I figured I should listen to the music of each in order to cover my bases. Obviously, I had missed the point. Retrospectively, whoever wrote the quiz must have too, unless they had their tongue in deathly-white cheek.

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Depths: A Lovecraftian Short Story

I wrote this short story a few years back and, after reading a fair bit of H. P. Lovecraft’s work this week, realised there was a fair bit in common between the two. Something about small people, dwarfed by the immensity of the world around them. After digging the tale out, I polished it up and tweaked it in keeping with my current style. There’s a definite metaphor at work in it; I’d love to know if anyone else interprets the story in the way I do. Here’s my Lovecraftian short story.

Download and enjoy Depths at the link below!

 

A Lovecraftian short story: Depths

It had been three days since Joshua had left the port.
He was alone but for the vessel he was steering through the ocean. As he had left the land behind he had seen the blurred outline of cliffs wane slowly in his vision, and heard the cries of gulls and sea birds grow less frequent and excited. On the first day of his journey he had seen new smudges of land to the north and some to the south. He was heading west…

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Endless Forms: Mediums of Fiction

Earlier this week I listened to Red Barchetta by Rush. Haven’t heard it? Give it a listen. Red Barchetta is a narrative song about a future in which a ‘Motor Law’ bans many vehicles, such as everyday cars. Every week, the story’s protagonist sneaks out to his uncle’s old farm and takes an old sports car, a Red Barchetta, for a spin on the country roads. The music ramps up in intensity as the car picks up speed, and cymbals crash in time with guitar crunches as the Barchetta is spotted and chased by modern air cars. This would make a brilliant story, I think to myself. But then, it’s already a story – there are different mediums of fiction. Red Barchetta is a story written in sound instead of sentences.

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Winter Chills: The Christmas Ghost Story

’tis the season,” I cry, wolfing another mince pie.

Another mulled wine, Liam?

’tis the season!

What shall we watch now?

Ah. Well. Christmas really would be incomplete without a Christmas ghost story, wouldn’t it? ‘tis the season for a wintertime chiller: snuggling down in front of the television with a haunted house and a hot chocolate, ready for a scare or two. I think the Christmas ghost story has a seasonal charm as essential to the festive period as Christmas dinner. A ghost story is both a pleasant diversion from the happy festivities and an important complement to them. And when better to indulge in some spooky atmosphere than in the bleak midwinter?

Chills and thrills

A ghost story is distinguishable from a horror, and the two should be distinguished in as far as the Christmas ghost story is concerned. While horror films are, well, horrifying (just look at Black Christmas), ghost stories should be unsettling and creepy. Horror implies a level of graphic detail, of explicitly horrifying material. Ghosts work through implication, through effect. Stretched shadows, creepy creaks, pallid things half-glimpsed through windows…

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