Black is the New Black: The Best Goth Characters

They’re creepy and they’re kooky – mysterious and spooky. It’s… the best goth characters in fiction.

Goths are rarely the main characters in books and films, but they’re persistent scene-stealers, grabbing attention with killer fashion sense and morbid jokes. What makes a good goth character? Well, apart from a complexion that a Victorian recluse would envy, you can expect brooding philosophies, gallows humour and decadent lifestyles, in any combination. Gothic characters are great avatars for seeing the world through a darker lens, for indulging our dark sides and for ignoring what everyone else thinks.

Let’s shadow our eyes, lose our smiles (unless there are pointed teeth behind them) and meet the best goth characters in films and books.

Wednesday Addams – The Addams Family, Charles Addams

Drawn by Charles Addams, Played by Christina Ricci and Voiced by
Chloë Grace Moretz

The Addamses are all creepy and kooky, but it must be said the girls of the family fly the gothic flag the highest. But while Morticia could have topped the list with her funeral-ready chic, it’s her Wednesday that out-goths the rest of her clan.

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How to review a book

This year, I’ve been listing every book I read in this What I’ve Read diary. Each page invites you to scribble some notes about the book, as well as give it a star rating. Which begs the question: what makes a book good? Just how do you review a book?

My What I’ve Read diary was a present from Millenial Maize

There are lots of parts to a book, and not just pages either. Things like characters, settings, events. More nuanced things too, the things that exist between the lines and which we’ll be looking at today. Style. Theme. Even truth. They all add up to something more than the sum of their parts. Let’s ready our critical scalpels and look inside the anatomy of a novel. At the things which make a story good or bad. Let’s learn how to review a book.

Why review a book?

Reviewing a book isn’t about criticising it. It’s about thinking analytically about its composition, and the choices that went into it to making it. There are some brilliant novels out there in the world and it’s important to recognise the hard work, choices and sacrifices that went into them. Reviewing a book – even if only in your head for a day after finishing one – is part of experiencing and respecting it. And about understanding what makes it good – or bad – compared to the bazillions of other books out there.

As we learn how to review a book, with some simple questions, we’ll see the amount of crossover between them. If writing a book was as easy as working through this like a checklist, everyone would be doing it!

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Best Books 2020: A Summer Reading Review

Welcome, friends, to the creaking halls and torchlit chambers of my blog. Advance as puffs of dust burst from the thick carpets and fleeting shadows flitter in the peripheries of your vision, and follow the trail of incense and ghostlight to the library. Today we are pawing through the most infamous and noteworthy volumes that I have read this year so far.

Best book you’ve read so far this year

Night Shift – Stephen King (1978)

I’ve read 34 books so far this year. New books, old books, novels, memoirs. Nothing’s been better than this classic collection of terrifying vignettes written in King’s signature conversational style. His imagination is boundless and his ability to do justice to his ideas makes Night Shift the King of all books I’ve read so far this year.

The tales that have wormed into my head and stayed the longest include The Ledge, where a crime boss finds out who his wife has been cheating with, and has the unenviable soul edge his way round the outside of his penthouse on a five-inch ledge, Children of the Corn, where a couple driving through the dustbowl discover a cult of children who worship in the cornfields, and Battleground, where a boxful of toy soldiers attack a trained assassin in his apartment.

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Get Rhythm: How to Write in Poetic Meter

Once upon a midnight dreary, while I pondered weak and weary…

Ever wondered why some poetry sounds so good when you speak it out loud? How it contains its own rhythm that you can’t help but fall into? There’s a word for that. Poetic meter*.

This article started life as an essay on meter and how to write in it. But seeing as I got bored writing it, I figure it wouldn’t have enticed my readers to stick around reading it. And I am married to a web analyst who notices things like my website’s performance. So we’re going to try something snappier; more fun and more visual.

iambic pentameter diagram explaining rhythm Read More

Pre-Meditated Poetry vs. Writing Poetry of Passion

So how’s everyone doing in quarantine? Run out of films to watch or books to read? Eaten a housemate? No, of course things aren’t that bad yet. Netflix is infinite, books are plentiful, and your housemate won’t fit in your oven. But, there is plenty of time for catching up on tasks around the house. Plenty of time for writing. Plenty of time to pay some attention to my neglected blog – and perhaps for writing poetry…

I do poetry quite regularly now. Not instead of prose; that still gets its 5000 words a week (occasionally I even send work off to agents or competitions; I just don’t advertise the fact). Performing poetry means a lot of my media posts now are about poetry, especially since I’ve got some poetry friends to tweet and twitter with. Also, pictures of me on a stage gesticulating by a microphone make for better Tweets than wrote more words today:

Chatting with other poets, I’ve come to realise that my poetry-writing process might be a bit different to the norm – though not, I suspect, different to the process of a prose writer. You see, at the poetry nights I go to, most poets have fresh material every month: new bits of verse about things they’ve done or seen, or feelings they’ve had. I will listen, sifting through my Kindle for anything I might not have read out yet, coming up short. I think my poems might have a longer gestation period than others.

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